Fulcrum Point New Music Project
Presents
Neuromaze: Joyful Sparks
Music of Ginka Mizuki & Gene Pritsker
Guest Artist: Michiyo Suzuki, clarinet
Neuromaze
Ginka Mizuki
Off the chart
Ginka Mizuki
Aconnesco
Ginka Mizuki
Be Formless, Shapeless, Like Water
Gene Pritsker
Chicken & Noodle
Ginka Mizuki
Rika Seko, violin Michiyo Suzuki, clarinet
Balkan Beetle Dakosa
Ginka Mizuki
Kostabi Melody Variation II
Gene Pritsker
Whitish Gecko: Kostabi Melody Remix
Ginka Mizuki
ARTISTS
Stephen Burns, trumpet/flugelhorn
Michiyo Suzuki, clarinet
Steve Roberts, electric guitar
Kyle Flens, percussion
Rika Seko, violin
Christian Dillingham, electric bass
Composer Gene Pritsker has written over one thousand compositions, including chamber operas, orchestral and chamber works, electro-acoustic music and songs for hip-hop and rock ensembles. His compositions employ an eclectic spectrum of styles, that are influenced by his studies of various musical cultures.
He is the founder and leader of Sound Liberation, an eclectic hip hop-chamber-jazz-rock-etc. ensemble. He also Co-Directs Composers Concordance. Gene's music is performed all over the world at internationally recognized festivals and by highly respected ensembles and performers
He co-founded the Grammy-nominated Absolute Ensemble with Kristjan Jarvi and has been a composer in residence and guitarist since its creation in 1993. He worked closely with jazz fusion legend Joe Zawinul and has orchestrated major Hollywood movies, including 'Cloud Atlas', for which he wrote additional music and composed his ''Cloud Atlas Symphony’. He is also the lead orchestrator for such TV series as Babylon Berlin, Jett, Netflix's Sense8 and Messiah. Gene is the lead orchestrator and has additional music in the 2021 film The Matrix Resurrections.
Gene is also a guitarist/rapper/Di.J./ and producer and incorporates each of these musical attributes to create music that is “not designed for easy listening or to melt into the background. It is insistent. It demands attention and curiosity." - New York Newsday.
The New York Times described him as "...audacious...multitalented." Joseph Pehrson, writing in The Music Connoisseur, described Pritsker as "dissolving the artificial boundaries between high brow, low brow, classical, popular musics and elevates the idea that if it's done well it is great music, regardless of the style or genre". Classical Music Sentinel writes: "His expressive reach is so wide as to encompass everything from ethno/techno, rock/jazz fusion, classical opera and more, and it all seems to be effortlessly integrated within his anima and comes out through different facets of his persona. You could almost see him as a modern day renaissance man.”